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由迈克尔·亚历山大·威伦斯担任艺术指导的科隆学会乐团,带来了《约翰·塞巴斯蒂安·巴赫:路德宗弥撒曲 BWV 233-236》,这是一次对巴赫四首“垂怜经-荣耀经”弥撒作品的里程碑式深度探索。这些作品创作于18世纪30年代,正值巴赫艺术创作高度沉淀的阶段,尽显他创作生涯中最富巧思的一面。
这四首弥撒的音乐素材大多取自巴赫本人最出色的康塔塔作品,充分展现了他无人能及的改编能力:通过精妙的复调对位技法、层次更丰富的配器编排,以及对拉丁常规弥撒**的深刻共情,将旧作素材打磨成全新的艺术精品。长久以来,这组作品的光芒一直被《B小调弥撒》所掩盖,而在本次演绎中,这些被称为“路德宗弥撒”的作品终于展现出独属于自身的耀眼艺术价值——每一首都拥有建筑般清晰的结构,六个乐章在恢弘的合唱段落与细腻的独唱咏叹调之间达成了近乎完美的平衡。
在这组弥撒作品中,巴赫将神学传统与极具创造力的音乐技法融为一体。无论是改编节庆风格的合唱段落、拓展富有表现力的咏叹调,还是将古老的音乐设定与全新构想的音色相融合,他都把旧素材的二次创作升华为了一场极具深度的艺术创造过程,最终产出的音乐既带着熟悉的质感,又呈现出完全焕然一新的面貌。科隆学会乐团将这四首弥撒纳入统一的艺术表达框架中,清晰展现了它们共通的结构特征、鲜活灵动的配器编排,以及覆盖极广的情感维度。
曲目列表:
1 Missa in F Major, BWV 233: I. Kyrie
2 Missa in F Major, BWV 233: II. Gloria in excelsis Deo
3 Missa in F Major, BWV 233: III. Domine Deus
4 Missa in F Major, BWV 233: IV. Qui tollis peccata mundi
5 Missa in F Major, BWV 233: V. Quoniam tu solus sanctus
6 Missa in F Major, BWV 233: VI. Cum Sancto Spiritu
7 Missa in A Major, BWV 234: I. Kyrie
8 Missa in A Major, BWV 234: II. Gloria in excelsis Deo
9 Missa in A Major, BWV 234: III. Domine Deus, Rex coelestis
10 Missa in A Major, BWV 234: IV. Qui tollis peccata mundi
11 Missa in A Major, BWV 234: V. Quoniam tu solus Sanctus
12 Missa in A Major, BWV 234: VI. Cum Sancto Spiritu
13 Missa in G Minor, BWV 235: I. Kyrie
14 Missa in G Minor, BWV 235: II. Gloria in excelsis Deo
15 Missa in G Minor, BWV 235: III. Gratias agimus tibi
16 Missa in G Minor, BWV 235: IV. Domine Fili unigenite
17 Missa in G Minor, BWV 235: V. Qui tollis peccata mundi
18 Missa in G Minor, BWV 235: VI. Cum Sancto Spiritu
19 Missa in G Major, BWV 236: I. Kyrie
20 Missa in G Major, BWV 236: II. Gloria in excelsis Deo
21 Missa in G Major, BWV 236: III. Gratias agimus tibi
22 Missa in G Major, BWV 236: IV. Domine Deus
23 Missa in G Major, BWV 236: V. Quoniam tu solus Sanctus
24 Missa in G Major, BWV 236: VI. Cum Sancto Spiritu
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